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Wang Yu-Song

王煜松 

Tidal Net
 
潮汐的網         
 


Materials: Fishing nets, rope, expanded polystyrene (EPS), steel cable, concrete
Dimensions: Variable dimensions
Year: 2021



 

The Net of Tides is a project that attempts to capture the tide.

The work takes the fixed fishing net as its point of departure. Unlike a conventional fishing net that catches fish or shellfish, this invisible net collects the continual movement of tides and the ecological changes they produce. Only the floating buoys remain visible, while the "net" itself exists through the relationships between gravity, seawater, living organisms, and time.

The spheres are constructed from discarded expanded polystyrene collected along the coast of Xiangshan and covered with oyster shells, seashells, and fiberglass. Although they appear heavy, they remain buoyant. During high tide, they drift across the sea like temporary islands, carrying fragments of the seabed onto the water's surface. During low tide, they settle across the tidal flats, revealing another landscape where crabs, shellfish, birds, and people continuously reshape the shoreline.

Rather than producing a static installation, the work relies on the changing rhythms of the tide. The arrangement of the spheres is never fixed. Each tidal cycle reorganizes their positions, while marine organisms gradually inhabit their surfaces. The installation is therefore co-authored by gravity, the moon, tidal currents, living organisms, and time.

Rather than capturing the sea itself, The Net of Tides attempts to make visible the invisible forces that continually shape the coastal landscape. The work proposes that a place is not defined by fixed boundaries, but by the continuous interactions between celestial forces, ecological systems, materials, and human activity.

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《潮汐的網》是一項關於捕捉潮汐的計畫。

作品以定置漁網作為概念出發,但收容的並非魚蝦貝類,而是潮汐所帶來的持續變化,以及它所形塑的生態環境。網子本身是不存在的,留下的只有一顆顆浮球,而真正構成這張「網」的,是重力、潮汐、生物與時間之間持續運作的關係。

球體以香山海岸撿拾的保麗龍為核心,外層覆蓋牡蠣、貝殼與玻璃纖維。它們外觀看似沉重,實際卻能漂浮於海面。漲潮時,球體隨著海流漂移,如同一座座暫時浮現的小島,將海底的地表帶到海面;退潮時,它們散落於潮間帶,顯露出另一種地景。螃蟹在球體周圍挖掘洞穴,貝類附著其上,人們穿梭其中拾撿花蛤與海水留下的遺留物,整個潮間帶因此成為一個持續生成與變動的場域。

作品並非一件固定的裝置,而是依循潮汐週期不斷改變自身。每一次漲退潮,都重新排列球體的位置;每一次時間的流逝,都讓新的生物附著其表面。因此,這件作品並不是由藝術家單獨完成,而是由重力、月球、潮汐、海流、生物與時間共同創作。

《潮汐的網》試圖捕捉的不是海洋本身,而是那些無法直接被看見、卻持續塑造海岸地景的作用力。它提出,一個地方從來不是固定的形態,而是在自然力量、生態系統、物質與人類活動彼此交互作用的過程中,不斷生成。

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